Another long work-week mercifully drawing to a close. Nothing major planned for the weekend except watching the second season of
Californication and/or settling in with a couple of books. Both books are non-fiction which is a significant deviation from my usual reading pattern, though since one is a bio of Stephen King and the other is Least-Heat-Moon’s
latest travel-tome I’m not exactly worried about straining the brain.
Something else merciful is how quiet the office is. Millie, Cathy and Dialtone are all out until Tuesday and Smelly Gal is so far nowhere to be olfacted, halle-fucking-lujah. Work-volume has slowed considerably and my computer’s in fine health; had a nasty scare Wednesday afternoon when I had to reboot after a crash (positively the
only time that’s
ever happened to me on OS X, I cross my heart) and then couldn’t log back on. I was sure I’d done something beyond my ken that hosed the hard drive and spent a half-hour sweating until I fixed it, though I found out the next day that the problem was actually network-based and I neither broke nor fixed jack-shit. Too bad about all those panicked calls I placed during that half-hour, though.
I’ve had this iMac for three years now and it’s been remarkably trouble-free. I can’t tell if this is because it’s a sound piece of hardware or because I read
MacWorld and take away a fair idea of how to keep it well-maintained or maybe I’m just lucky. Either way it’s a good thing because Nadine tells me I’m not getting a replacement until this one dies. That chafes some because I would like the added real estate that the 24-inch model affords, but otherwise I’m good with what I got.
Come January I’ll have had the home iMac 3 years itself and it too has been remarkably trouble-free, so I hope if something’s going to go wrong it’ll happen soon before the Applecare expires. If all goes well the current plan is to wait another year at least to replace it, maybe even with the 24” model which can only get cheaper in the interim.
Spent a lot of time in front of the screen last night, manually checking for duplicates in iTunes and assigning ratings to songs and doing various other administrative stuff that’s more fun than it sounds. Also working again with iWeb 09 with which I’m going to publish a long-delayed portion of my personal site: the one where I present and blurb my favorite songs from five-year periods (1970-75, 1975-80 and so on). I’d been intimidated because I’ve never designed using streaming audio before but this latest iWeb makes it bozo-friendly like you expect Apple products to. Now all I have to do is provide text content which conversely is harder than I thought it’d be. Or maybe I knew that already and that’s what was intimidating. Whatever. I first got the idea to do this almost two years ago and it’s good to be getting off my ass on it.
(Yes, even to the point of choosing a
Partridge Family song. Just going to suck it up and be brave.)
You wouldn’t think it’d be so difficult for a self-professed frustrated music critic to write 100 words apiece for songs I’ve loved for thirty years and more. And sometimes it isn’t; for the Zep’s “Your Time Is Gonna Come” it suffices to post that I’ve always had a thing for swirly organ intros, or that I actually don’t much like Cat Stevens’ “Longer Boats” until the drums come in near the end. But when it comes to explaining that such a total piece of tripe as “Court of the Crimson King” made it on the list just because it evokes the moment I first heard it huddled around the stereo with my sibs one Christmas Eve, well… try putting that into words. Let alone keeping to 100.
Not to mention limiting myself to 20 songs from each period. The cuts are painful: “Jumping Jack Flash,” the Band’s “Chest Fever” and Elton John’s “High Flying Bird” for 70-75 alone so far. “Bird” was on the list well before last week when I stumbled across it used to such masterful effect in
Californication's S1 finale, I rarely admit how much I've loved that tune and it astounded me to realize someone else might love it just as much, but it was never going to make the final because each period gets just one song from an artist and “Can I Put You On” trumps any other Elton John up to
Goodbye Yellow Brick Road, which fortunately falls into 1975-80.
And so on. 80-85 is going to be the hardest in this regard; already got 30 candidates and haven’t even concluded the nomination process yet. Kim Wilde is that period’s Partridge Family and it’s going to hurt like hell to bump the Rain Parade or even Romeo Void for her. Or maybe I’ll just say WTF and include all thirty. Benefits of using your own site, right?
This is all to say I’m probably going to be continuing to spend time in front of the screen over the weekend, perhaps even at the expense of reading. That’s often what I mean when I say “nothing major.”